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Large Antique Edwardian Art Deco 18K White Gold Ring Setting

$250.00

Large Antique Edwardian Art Deco 18K White Gold Ring Setting

This is a very long, fancy filigree, 1920s late Edwardian to early Art Deco ring setting with its original rectangle sapphires still in place. It is marked 18K, jeweler tested and Guaranteed to be solid 18K white gold. See last photo for marking. This mounting is quite large and very ornate. The sides are decorated with raised bows and a deeply recessed leaf pattern that goes 3/4 of the way down the band. The top bezels have fancy millgrain work throughout. The north and south bezel are showy heart shaped but with inside cuts to hold round stones. Both above and beneath the sapphires are tiny carved bow shapes to match the large open work bows on the sides at the band connection. Very pretty. Additionally, there is narrow rectangular open work on the undermount. Also, very pretty rather than having a flat bottom. There is one indent on the edge at the 1 o’clock position that the jeweler could straighten. Other than this, it is in excellent condition as you can see in the photos. Ring size is 7 (which is quite large and hard to find for original 1920s jewelry) Size of top is 1 3/16″ long north to south. Across the center is 5/8″ east to west, bow tip to bow tip. Weight is 4.2 grams. For anyone who likes to design and or pick their own gemstone this is a lovely original early find for your collection.

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Description

About Art Deco Jewelry:

Reference – http://www.collectorsweekly.com/fine-jewelry/art-deco

In the mid-1920s, the  Art Nouveau movement gave way to Art Deco, which was popular throughout the 1930s. Like Art Nouveau, Art Deco had strong roots in France. The name is thought to have been taken from L’Exposition des Arts Decoratifs et Industriels Moderne in Paris in 1925. However, the phrase was not commonly ascribed to the aesthetic until 1968, when English art historian Bevis Hillier wrote his definitive “Art Deco of the 20s and 30s.”

Unlike Art Nouveau jewelry, which celebrated organic and flowing forms, Art Deco jewelry is marked by its geometry and symmetry. It is more in common with the highly graphic and stylized designs of Arts and Crafts than Art Nouveau. In addition, Art Deco is a product of the machine age. Thus, Art Deco designs often adhere to grids, while other examples appear to be in motion, as if their lines had been pulled by the mechanical acceleration of the object itself.

Two of the most revered jewelry designers of the period were Cartier and Van Cleef and Arpels. Well-known for their diamond-studded bracelets, ruby-flecked brooches, and sapphire earrings. Their design expressed the opulence and free-spending abandon of the 1920s.

Many Art Deco pieces were influenced by trends in fine art, particularly Cubism and Futurism.

Egyptian Revival designs are also sometimes lumped into the sphere of Art Deco. And Art Deco jewelry was produced in gold, perhaps nowhere better than in Pforzhem, Germany, where goldsmiths such as Emil Lettre and Theodor Wende made pendants, brooches, and other forms in graphic, geometric designs, sometimes incorporating emeralds and pearls into their work.